Martin Amis (1949-2023).
Cyril Schäublin’s ‘Unrueh’.
The cinema of the Dardenne brothers.
Alice Neel at the Barbican.
The work of Brian Dillon.
At Tate Britain.
Peter Weiss’s micro-novels.
Mike Nelson’s installations.
On ‘Tár’ and its reception.
The films of Kelly Reichardt.
At the Berlinale.
On John Smith’s ‘Blight’.
The filmmaking of Alice Diop.
George Saunders’s America.
An unfinished novel by Italo Svevo.
On Quentin Tarantino’s ‘Cinema Speculation’.
A pioneer of film criticism.
On Robert Kramer.
On Noah Baumbach.
Constance Debré’s autofictions.
Contra Jed Perl.
Jean-Marie Straub (1933-2022).
At Tate Modern.
The recursive oeuvre of Hong Sangsoo.
A new biography of Kathy Acker.
The ‘storybooks’ of New Directions.
On Éric Vuillard.
1930-2022.
On Ian McEwan.
At Camera Austria.
Claude Simon’s confrontation with history.
Jhumpa Lahiri’s Italian turn.
Albert Serra’s latest film.
Ottessa Mosfegh’s chronicles of anguish.
On László Krasznahorkai.
On Pedro Almodóvar.
The self-fabulations of Hervé Guibert.
Ruben Östlund’s Palme d’Or winner.
Rosemary Tonks and disavowal.
Jean-Gabriel Périot and the art of montage.
The literary crusade of Halldór Laxness.
Paul Verhoven’s latest directorial provocation.
Joseph Andras’s portraits of struggle.
Animals and humans in the art of Francis Bacon.
The latest work by Sheila Heti.
Tensions in Joan Micklin Silver’s cinema.
Fernanda Melchor’s portraits of national decay.
Bedros Yeretzian at Commercial Street gallery.
The lapsed miniaturism of Alejandro Zambra.
Commitment in the art of Peter de Francia.