The stigmas and stratifications of post-war France, refracted in the experimental life-writing of Annie Ernaux.
Avant-garde documentarist Sergei Loznitsa assembles found Agfacolor footage of the USSR’s lurch into the post-Stalin era.
If dissimulation is integral to political discourse, what explains the rise – and sudden fall – of ‘fake news’ since 2017?
Transnational cultures in an unequal world.
The minimalist autofiction of Fatima Daas.