Fine-grained reading of the films of Andrei Zvyagintsev, from the abstract allegories of his earlier work to the unsparing portrayals of contemporary Russia in Elena and Leviathan, exemplary of a new social turn in post-Soviet cinema. Reflections of class polarization and fables of power, with Orthodoxy as its prop.
Collapse as Crucible
While Russia’s anti-Putin demonstrations have prompted talk of a civic awakening—led by a flat-pack middle class—the country’s overall social landscape remains largely unmapped. Tony Wood surveys its shifting structures since the Soviet collapse, and the consequences of marketization’s advance through the USSR’s ruins.
The Case for Chechnya
Eager to embrace Putin, Western rulers and pundits continue to connive at the Russian occupation of Chechnya, as Moscow’s second murderous war in the Caucasus enters its sixth year. Traditions of resistance, popular demands for sovereignty and Russia’s brutal military response, in Europe’s forgotten colony.
Time Unfrozen: The Films of Aleksei German
Virtually unknown in the West, Aleksei German is regarded by Russians as their most radical and original film director. Tony Wood considers his techniques of disorientation, and the craft of induced paranoia in his latest movie about the Doctors’ Plot of 1953—its title taken from Beria’s triumphant shout to his chauffeur.