Joseph Andras’s portraits of struggle.
Mélenchon and the future of the French left.
On Bola Tinubu.
Animals and humans in the art of Francis Bacon.
The latest work by Sheila Heti.
The ousting of Imran Khan.
Tensions in Joan Micklin Silver’s cinema.
On Hungary’s election.
Fernanda Melchor’s portraits of national decay.
Bedros Yeretzian at Commercial Street gallery.
The American left and the war in Ukraine.
Will Russia’s invasion fracture the world-system?
The lapsed miniaturism of Alejandro Zambra.
The drift of Tory economic policy.
Ukraine and the Western media.
Commitment in the art of Peter de Francia.
Contradictions of antifujimorismo.
Dynamics of the Russian political economy.
Kay Dick’s rediscovered dystopia.
Does hegemony require a grand design?
Neither US vassal nor world power.
Routes out of the Ukraine crisis.
On Michel Houellebecq.
Alana Hunt’s chronicles of Kashmiri occupation.
Putin’s invasion revitalizes NATO.
Laurent Cantet’s unsettling latest film.
Surrealism past and present.
The politics of atrocities.
Freedom and constraint in the art of Helen Frankenthaler.
The campaign for war with Russia.
The ambivalence of the Portuguese left.
A new biography of Elizabeth Hardwick.
E.O. Wilson (1929–2021).
On Britain’s plan for regional rebalancing.
An interview with Reinaldo Iturriza, Venezuela’s former Culture Minister.
Terrence McDonough (1952-2021).
Interpreting the coup in Burkina Faso.
The films of Julia Ducournau.
On Lea Ypi’s ‘Free’.
The cruelty of economic warfare.
End of the Nazarbayev era.
Will the Workers’ Party break with big finance?
On Apichatpong Weerasethakul’s ‘Memoria’.
On the latest film by Paul Thomas Anderson.
The provocative prose of Christine Angot.
Hamid Ismailov’s dissident fictions.
The legal route to EU integration.
Memories of world history.
Ramsey Clark (1927-2021).
In search of India’s literary underground.