Philip Guston at the Tate.
Two novels by Pasolini.
At Tokyo’s Photographic Art Museum.
Hayao Miyazaki’s ‘The Boy and the Heron’.
Louise Glück (1943–2023).
The ‘terrain-novels’ of Esther Kinsky.
Anne Serre’s metafictions.
Milan Kundera (1929-2023).
On Chinese narrative painting.
The singular work of Victor Heringer.
Lucy R. Lippard’s I See/You Mean.
Hervé Guibert at the Kunst-Werke.
Carrie Mae Weems at the Barbican.
Bruno Dumont’s France.
Wang Bing’s ‘Youth’.
Fin de Cinéma?
Martin Amis (1949-2023).
Cyril Schäublin’s ‘Unrueh’.
The cinema of the Dardenne brothers.
Alice Neel at the Barbican.
The work of Brian Dillon.
At Tate Britain.
Peter Weiss’s micro-novels.
Mike Nelson’s installations.
On ‘Tár’ and its reception.
The films of Kelly Reichardt.
At the Berlinale.
On John Smith’s ‘Blight’.
The filmmaking of Alice Diop.
George Saunders’s America.
An unfinished novel by Italo Svevo.
On Quentin Tarantino’s ‘Cinema Speculation’.
A pioneer of film criticism.
On Robert Kramer.
On Noah Baumbach.
Constance Debré’s autofictions.
Contra Jed Perl.
Jean-Marie Straub (1933-2022).
At Tate Modern.
The recursive oeuvre of Hong Sangsoo.
A new biography of Kathy Acker.
The ‘storybooks’ of New Directions.
On Éric Vuillard.
1930-2022.
On Ian McEwan.
At Camera Austria.
Claude Simon’s confrontation with history.
Jhumpa Lahiri’s Italian turn.
Albert Serra’s latest film.
Ottessa Mosfegh’s chronicles of anguish.