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The Multiple Gaze
Resisting the erasure of working-class life in the American rust belt, the critical photography of LaToya Ruby Frazier combines intimate portraiture with representations of capital’s flight. Rebecca Lossin reflects on MoMA’s recent retrospective of her work—and on the cultural politics of documentary image-making in an age saturated with the visual.
Against the Universal Library
A librarian reflects on her profession’s destructive and preservative urges, from microfilming of newspaper archives in the 1940s, via stress-testing experiments and de-acidification gassings to digitization and the coming of the ebook, as the library becomes a hollowed-out portal onto the private sector.