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Between History And Theory
From Signs Taken for Wonders to The Bourgeois, Franco Moretti has developed a changing, multifaceted sociology of the novel. In this critical reconstruction, Enrica Villari parses the theory that unfolds from his pioneering account of the form’s evolution—through Goethe, Stendhal, Balzac, Eliot, García Márquez—and considers its political implications.