Evolution and Literary History
A landmark engagement with Franco Moretti’s triptych of essays, Graphs, Maps, Trees. What forms of logic underpin the use of evolutionary models to lay bare the survival strategies of the detective story, or trace the mutations of a border-hopping stylistic technique? And what political implications follow from basing an account of literary history on the outcome of the market?
Reflections on Fredric Jameson’s narratology of modernity, and current attempts to reinstate it as a master category of the time, requiring no suspect prefixes. The political dialectic behind such impulses of restoration, and the artistic practices which prepared them.
In coolly proclaiming itself to be essentially the application of technique to matter, to what further consequences did modern art discover it was committing itself? Christopher Prendergast traces the ‘frightful clockwork of the world-structure’ in the games of Mallarmé, puppets of Flaubert and Kleist, musings of Mann, and the hurdy-gurdy of Cézanne overheard by T. J. Clark.
Negotiating World Literature
Should relations between national literatures be conceived on the model of international competition between states? Christopher Prendergast assesses a bold French attempt to analyse the historical dynamics of the ‘world republic of letters’, from the Renaissance to the present day—with Paris emerging as an unexpectedly durable capital. Were national determinations of literary projects always so predominant, and what of cross-cultural variations in the meaning of literature itself?
“The Callaghan administration once toyed with the idea of having a Minister of the Family. What with the débâcle of back-to-basics and other such mantras, the arrival on these shores of Fourier in translation is perhaps timely. The Fourierist utopia does not have a Minister of the Family, . . .” read more