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Confessions of a 'New Aeshete': A Response to the 'New Philistines'
Pausing to allow the waves of sound of the last movement of Mahler’s Third Symphony to ebb away, I return to the delights of my glass of Californian Chardonnay and reflect on the way Dimitri Mitropoulos’s interpretation of the symphony steers the vital course between long-term structure, sudden . . . read more