Six years ago, the publication of Ralph Miliband’s The State in Capitalist Society gave rise to a debate between the author and myself in the columns of New Left Review. footnote1 I reviewed the book and Miliband responded, presenting in the process a critique of my own Pouvoir politique et classes sociales. footnote2 I did not reply to this critique at the time; nor did I do so when Miliband subsequently published a full-length review of my book, on the occasion of its appearance in English. footnote3 However, now that English-speaking readers are in a position to refer to both my second book, Fascism and Dictatorship, and my more recent Classes in Contemporary Capitalism, I feel that the moment has come to continue the debate. footnote4 For if discussion is to be useful and not run in circles, it should draw its strength from new evidence; this new evidence in my case being the writings I have published since Political Power.
Before entering into the discussion proper, I feel I should make a number of preliminary remarks. Although the discussion involves primarily Miliband and
The following text will thus be more of a contribution to the general discussion than a reply to Miliband’s articles, for two fundamental reasons. In the first place, one can only hope to carry on a far-reaching debate with the aid of a precise language, and one that is also, necessarily, situated on a specific theoretical terrain, in the sense that the participants in this debate manage, from within their respective problematics, to attach precise definitions to the concepts, terms or notions they are using. Miliband’s writings, however, are marked by the absence of any theoretical problematic. It is this absence above all that lies behind his repeated criticisms of my work for its lack of ‘concrete analyses’. This reference to concrete analyses is certainly valid, but only when made from within another theoretical problematic, one showing that it is capable of providing a better explanation of historical facts. Thus I do not at all say that Miliband is wrong to discuss ‘facts’ with me or to quote them against me. All I am saying is that one can only begin to counter a theory by citing the ‘proof’ of facts, the proof of ‘practice’, when this approach—which is a perfectly valid one—can be said to flow from a different theoretical position. This is an elementary principle of epistemology. Such a position is lacking in Miliband’s writings. As a result, as Laclau has correctly observed, our respective texts are situated on disparate terrains, i.e. they often deal with different matters. Furthermore, this means that the critical terms Miliband uses with reference to me, such as ‘abstractionism’, ‘structuralism’ or ‘super-determinism’, remain extremely vague and imprecise in his usage.
In the second place, on the subject of Miliband’s own work, I have nothing to add to what I wrote in my original review of his book. And while I do have something to say about the evolution of my own positions and analyses since the publication of Political Power, in particular concerning a series of rectifications I have felt it necessary to make (I embarked on this process in Fascism and Dictatorship, and the rectifications have now crystallized in Classes in Contemporary Society), this aspect of the present article can in no way be seen as a reply to Miliband. For Miliband has failed to see the real problems, the real lacunae, ambiguities and debatable points in my first book—the shortcomings which have in fact led me to make the rectifications in question. A large part of the following text is, therefore, a reply to Laclau and a clarification of the criticisms I myself am now in a position to make concerning Political Power, rather than a reply to Miliband.
I shall nevertheless begin by returning to the above-mentioned reproach, made repeatedly by Miliband, concerning the characteristic absence in my writings of concrete analyses or reference to concrete historical and empirical facts. This is the chief meaning, as I understand it, of the term ‘abstractionism’ which he employs when writing about my work.