In his concluding Chapter to a collection of essays on Advertising and Society, to be published in the New Left Book series by Stevens early next year, Raymond Williams relates the “system of magic” to the attitudes and social thinking of a “consumer” society, and makes some proposals for its democratic control.
in the last hundred years advertising has developed from the simple announcements of shopkeepers and the persuasive arts of a few marginal dealers into a major part of capitalist business organisation. This is important enough, but the place of advertising in society goes far beyond this commercial context. It is increasingly the source of finance for a whole range of general communication, to the extent that in 1960 our majority television service and almost all our newspapers and periodicals could not exist without it. Further, in the last forty years and now at an increasing rate, it has passed the frontier of the selling of goods and services and has become involved with the teaching of social and personal values; it is also rapidly entering the world of politics. Advertising is also, in a sense, the official art of modern capitalist society: it is what we put up in our streets and use to fill up to half of our newspapers and magazines; and it commands the services of perhaps the largest organised body of writers and artists, with their attendant managers and advisers, in the whole society. Since this is the actual social status of advertising, we shall only understand it with any adequacy if we can develop a kind of total analysis in which the economic, social and cultural facts are visibly related. We may then also find, taking advertising as a major form of modern social communication, that we can understand our society itself in new ways.
It is often said that our society is too materialist, and that advertising reflects this. We are in the phase of a relatively rapid distribution of what are called “consumer goods”, and advertising with its own emphasis on “bringing the good things of life” is taken as central for this reason. But it seems to me that in this respect our society is quite evidently not materialist enough, and that this, paradoxically, is the result of a failure in social meanings, values and ideals. It is impossible to look at modern advertising without realising that the material object being sold is never enough: this indeed is the crucial cultural quality of its modern forms. If we were sensibly materialist, in that part of our living in which we use things, we should find most advertising to be of an insane irrelevance. Beer would be enough for us, without the additional promise that in drinking it we show ourselves to be manly, young in heart, or neighbourly. A washing-machine would be a useful machine to wash clothes, rather than an indication that we are forward-looking or an object of envy to our neighbours. A new car would be simply a pleasant means of transport, without the spiritual aura of girls nine feet tall, a hotel canopy and a porter putting luggage in the boot with gloved hands. But if these associations sell beer, washing-machines and cars, as some of the evidence suggests, it is clear that we have a cultural pattern in which the objects are not enough but must be validated, if only in fantasy, by association with social and personal meanings which in a different cultural pattern might be more directly available. The short description of the pattern we have is magic: a highly organised and professional system of magical inducements and satisfactions, functionally very similar to magical systems in simpler societies, but rather strangely coexistent with a highly developed scientific technology.
This contradiction is of the greatest importance in any analysis of modern capitalist society. The coming of large-scale industrial production necessarily raised critical problems of social organisation, which in many fields we are still only struggling to solve. In the production of goods for personal use, the critical problem posed by the factory of advanced machines was that of the organisation of the market. The modern factory requires not only smooth and steady distributive channels (without which it would suffocate under its own product) but also definite indications of demand without which the expensive processes of capitalisation and equipment would be too great a risk. The historical choice posed by the development of industrial production is between different forms of organisation and planning in the society to which it is central. In our own century, the choice has been and remains between some form of socialism and a new form of capitalism. In Britain, since the 1890s and with rapidly continuing emphasis, we have had the new capitalism, based on a series of devices for organising and ensuring the market. Modern advertising, taking on its distinctive features in just this economic phase, is one of the most important of these devices, and it is perfectly true to say that modern capitalism could not function without it. Yet the essence of capitalism is that the basic means of production are not socially but privately owned, and that decisions about production are therefore in the hands of a group occupying a minority position in the society and in no direct way responsible to it. Obviously, since the capitalist wishes to be successful, he is influenced, in his decisions about production, by what
The popularity of “consumer”, as a way of describing the ordinary member of modern capitalist society in a main part of his economic capacity, is very significant. The description is spreading very rapidly, and is now habitually used by people to whom it ought, logically, to be repugnant. It is not only that, at a simple level, “consumption” is a very strange description of our ordinary use of goods and services. This metaphor drawn from the stomach or the furnace is only partially relevant even to our use of things. Yet we say “consumer”, rather than “user”, because in the form of society we now have, and in the forms of thinking which it almost imperceptibly fosters, it is as consumers that the majority of people are seen. We are the market, which the system of industrial production has organised. We are the channels along which the product flows and disappears. In every aspect of social communication, and in every version of what we are as a community, the pressure of a system of industrial production is towards these impersonal forms. Yet it is by no means necessary that these versions should prevail, just because we use advanced productive techniques. It is simply that once these have entered a society, new questions of structure and purpose in social organisation are inevitably posed. One set of answers is the development of genuine democracy, in which the human needs of all the people in the society are taken as the central purpose of all social activity, so that politics is not a system of government but of self-government, and the systems of production and communication are rooted in the satisfaction of human needs and the development of human capacities. Another set of answers, of which we have had more experience, retains, often in very subtle forms, a more limited social purpose. In the first phase, loyal subjects, as they were previously seen, become the labour market of industrial “hands”. Later, as the “hands” reject this version of themselves, and claim a higher human status, the emphasis is changed. Any real concession of higher status would mean the end of class-society and the coming of democracy. But intermediate concessions are possible, including material concessions. The “subjects” become the “electorate”, and “the mob” becomes “public opinion”.