Richard Rorty is in danger of attaining the sort of eminence which today is normally reserved for French philosophes.
footnote1He is one of the few English-language thinkers whom defenders of postmodernism feel able to cite along-side the continental icons of Foucault, Derrida and Baudrillard. He has been described, for example, as ‘one of the major US philosophers of the post-modern movement’.footnote2 As such, Rorty can be treated as a representative of wider cultural, ideological trends.footnote3 Roy Bhaskar takes this line in his recent Philosophy and the Idea of Freedom. ‘Why Rorty?’, he asks, having devoted the bulk of his book to criticizing the American philosopher. Bhaskar answers his own question by claiming that Rorty’s philosophy, with its anti-realism and celebration of irony, provides an ideology for intellectual yuppies.footnote4 There is nothing new in seeing the tones of conformity in Rorty’s professed postmodern liberalism. Nancy Fraser has accused Rorty of failing to acknowledge patriarchal assumptions. A few years ago, Richard Bernstein saw Rorty as a Cold War theorist.footnote5 Indeed, Rorty himself writes that ‘the
I will argue that Rorty is very much a figure for his times, but not quite in the way that some critics have suggested. If Rorty were offering a remodelled version of Cold War ideology, then his importance would be declining. With the collapse of the Soviet empire, us foreign policy no longer needs to be based upon an unrelenting anti-Marxism. Fear of communism gave Cold War politicians, such as Reagan or Bush, a moral certainty. Now, a new era—with a younger face in the White House—offers a more open-spirited rhetoric and further possibilities for a global Pax Americana. Rorty’s philosophy captures this mood with its ironic iconoclasm and its rejection of old strident certainties. Yet, it also contains hegemonic themes, well suited to these so-called post-marxist, post-ideological, postmodern times.
The key to understanding Rorty as an ideological voice of his times lies in nationalism. At the outset, it might be objected that this is absurd. Perhaps Rorty can be accused of sexism, elitism, or liberal self-satisfaction. But nationalism is altogether too fierce an accusation. Certainly, Rorty is no romantic conservative, reconstructing a heroic national past. Nor, by any stretch of the imagination, is Rorty an ‘ethnic cleanser’, glorifying the ‘pure’ race. Surely, there must be some mistake in raising the issue of nationalism.
Yet the mistake may lie in failing to recognize how deeply nationalism is embedded in contemporary consciousness. There is much talk today about ‘globalization’ and ‘the decline of the nation state’, as if the postmodern world is going to be a post-national one.footnote7For the
There is a further reason for thinking the ‘decline of the nation-state’ to be premature. The collapse of the Soviet empire has produced a situation in which one nation is bidding for hegemonic power. As the Gulf War showed, the removal of the ussr as a rival superpower permits the United States to mobilize an alliance of nations in pursuit of a global Pax Americana. Moreover, the Gulf War, like the Falklands War, revealed how quickly and intensively Western publics will support wars ostensibly fought in the cause of national integrity.