Blackness has been an object of study for white people for a long time, an essential part of the project of constructing others, of naming, defining, marginalizing. The study of whiteness, however, has less of a history. There is a long tradition of blacks recognizing that race is not a ‘negro problem’ but a problem among whites. Yet it is only relatively recently that white people have begun to address explicitly the historical specificity of their own ‘racial’ and ethnic identities, to explore the ways in which whiteness has been constructed as a vital element in power relations, to specify the gendered nature of that whiteness and the inadequacy of a homogeneous notion of white.
David Roediger’s new book The Wages of Whiteness is a welcome addition to that project.footnote1 In it he describes the experience of growing up in an all-white town in the us where ‘race’ was never absent. Racism was a part of everyday life and went with an assumption of white superiority. Roediger’s work is rooted in a critical Marxism, critical particularly in its awareness of the ways in which ‘the main body of writing by white Marxists in the United States has both “naturalized” whiteness and oversimplified race’ (p. 6). His greatest intellectual debt is to W.E.B. Du Bois. Du Bois’ understanding of the dialectics of race and class has informed his own critical rethinking of Marxism and labour history. In particular, his perception that white workers, even when they ‘received a low wage . . . [were] compensated in part by a . . . public and psychological wage. They were given public deference . . . because they were white’ lies at the heart of his book. Du Bois reflected on the tragedy, (and Roediger aims to emulate that tone rather than being angry or judgemental), of the ways in which the white working class came to think of itself and its interests as white, to refuse a notion of class which was inclusive of blacks—and, he might have added, women.
The Wages of Whiteness argues that ‘the pleasures of whiteness could function as a “wage” for white workers’, and that ‘whiteness was a
The language of white republicanism, as formulated by male workers in the nineteenth century, was a radical language which argued against the inequalities of capitalism. But the language of class that those men developed was making sense of a slave-holding republic in which more than 86 per cent of African Americans were slaves. White workers measured themselves against both the republican dream of the independent small producer and the nightmare of slavery. ‘Freeman’ with its refusal of paternalism, of any association with servant status, came to be the favoured word for the male labourer. The white adult male was a free man—in opposition to the black unfree slave. The American revolutionary dream of a radical politics that would free men both from the shackles of colonialism and the shackles of slavery died. The emergence of a language of ‘white slavery’ and ‘wage slavery’ in the 1830s and 1840s did not signify a solidarity with slaves, Roediger argues, but rather a call for the end of white oppression. It went together with race riots, racially exclusive trade unions, and popular campaigns against the civil rights of free blacks. This did not preclude significant white-working-class support for abolitionism—but that was predicated on whites helping blacks, organizing on their behalf. In Britain, as David Brion Davis has suggested, the attack on slavery in this period powerfully legitimated its antithesis, ‘free’ labour, and its critique of radicalism. In the us, Roediger argues, the coexistence of slavery with antislavery delayed the development of a telling critique of wage labour. Only after emancipation could a more straightforward analysis of the wage relation develop, but by then ‘the importance of a sense of whiteness to the white US worker was a long-established fact’ (p. 87).
In From Sundown to Sunup George Rawick argues that blackness and whiteness were created together in the colonizing years, that blackness came to symbolize all that frugal and accumulating capitalists had given up, that white men cast black men as their unreconstructed selves.footnote2 Roediger takes this argument into the nineteenth century. He