The inclusion of the works of Niccolo Machiavelli in the series of volumes published by ‘Academia’ needs no justification. The episodes which inspired Machiavelli’s works, the works themselves (propagandist, historical, fictional), the bitter disputes which raged around his name for centuries afterwards—all these are major events in the cultural history of Europe. The Soviet reader who comes across, as he is bound to do, references to Machiavelli in historical studies, in current editorials in the press (‘Machiavellism’, ‘Machiavellian politics’ etc.), and in literary works, rightly wants an opportunity to read the actual, original texts of the secretary of the Florentine Republic in the sixteenth century. The ‘Academia’ edition is intended to meet this need.
In an excellent study specially written for this volume, A. K. Dzhivelegov outlines Machiavelli’s life and the historical circumstances which influenced his work. The fate of Machiavelli’s ideas and works after his death falls outside the scope of his study. In fact, their destiny was remarkable and revealing. A study of the attitudes displayed by different groups in European society towards Machiavelli over a period of four centuries (sixteenth to the nineteenth centuries), in the course of which his work was the object of constant attention on the part of politicians, propagandists and historians, would provide the richest and most varied material for a history of the ideological terms of the class struggle, from the overthrow of feudalism to the era of the proletarian revolution. We can only venture a few remarks in this connection here.
In spite of accepted terminology, the importance of Machiavelli does not lie in his ‘theory’ or ‘political system’. He has in fact no
The social content of power, its social determinations, interested him very little. Whether power was in the hands of Alexander VI or Cesar Borgia, Cesar Borgia or Prince Orsini, Prince Orsini or the Duke of Urbino, in the final analysis its content remained virtually unchanged. Machiavelli’s primary concern is with the actual process of the struggle for power. His most famous work, ‘The Prince’, is not a study of the changing social groups which have won power, and the conditions and significance of these changes: it is concerned with the mechanism of the struggle for power within one narrow social group, in the period of transition from feudalism to capitalism.
Of course, Machiavelli’s work bears the impress of a major historical force: the drive to create a powerful, national and essentially bourgeois state in Italy, by the systematic destruction of the complex of independent feudal, semi-feudal and commercial communes, republics and dukedoms. But in Italy at the end of the fifteenth and the beginning of the sixteenth century this idea had to fight its way (and at the time it was unsuccessful) through the inextricable confusion of countless myriads of powerful and petty Italian rulers incessantly warring against each other. It is the political practice made up of these innumerable clashes which receives open formulation in Machiavelli’s treatise.