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NLR 30, November-December 2004


Mythology as the ‘condition and subject of all art’ in the varying conceptions of the early German Romantics and neoclassicism: from Schelling and Schlegel to Winckelmann and Goethe, meditations on Laocoon and anticipations of the Gesamtkunstwerk—issuing into the uncanny mythopoeias of modernity in Melville’s Confidence Man and the White Whale.

Sven Lütticken

After the Gods


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Sven Lütticken ‘After the Gods’, NLR 30
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