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NLR 10, July-August 2001

In coolly proclaiming itself to be essentially the application of technique to matter, to what further consequences did modern art discover it was committing itself? Christopher Prendergast traces the ‘frightful clockwork of the world-structure’ in the games of Mallarmé, puppets of Flaubert and Kleist, musings of Mann, and the hurdy-gurdy of Cézanne overheard by T. J. Clark.

Christopher Prendergast

Modernism’s Nightmare?

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Christopher Prendergast ‘Modernism’s Nightmare?’, NLR 10

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