Performing the Persona in Art and Activism
In the modern aesthetic regime, the artwork usually comes with an identifiable author in the form of a single person—a supercharged subject who has created an exceptional object, which in turn can overwhelm and rework the viewer’s (or reader’s, or listener’s) own subjectivity. Clearly, artistic volition is not that of some pure philosophical cogito or self-constituting idealist subject, which becomes self-identical by positing external objects. Artistic subjects self-objectify through the construction of social and/or artistic masks. Yet as Deleuze has argued, the same in fact goes for philosophers: Plato used Socrates as a conceptual persona, Nietzsche used Zarathustra and Dionysus, while the Cartesian system depends on the persona of ‘the Idiot who says “I” and sets up the cogito’.
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By the same author:
The Juridical Economy
Art as the uncanny double of law in the work of Kant, Schiller and Hegel, and its confrontations today with the law in avant-garde practice, as the juridical category of the person either expands beyond even the corporation, dismissed as ‘artificial’ by Hegel, to new fictive forms, or contracts to captive sub-human shapes.
The Coming Exception
The artwork has long been understood as a political-economic anomaly, while art practice is sometimes seen as a stand-in for liberated human activity. With value itself seemingly in a state of crisis, might the artwork prefigure a world beyond it? From Ruskin and Whistler to Harun Farocki, Sven Lütticken charts the trajectory of an exception.
Mutations of an untimely concept, in a period when capitalism has arrogated to itself the power of radical transformation. From Debord and Marcuse to the contemporary art world, by way of punk rock and hip hop.
Performance Art After TV
Relations between TV and performance art since the 1960s as a tangled skein of complicity and contestation. Sven Lütticken traces shifts in modes of acting, working and self-presentation, within a televisual world itself now being absorbed by cybernetic and digital systems.
Dialectic of Dionysus
Sven Lütticken on Asger Jorn, Fraternité Avant Tout. The Danish artist and Situationist wrestles with Engels and Nietzsche.
Once deemed extinct, the play instinct now pervades the worlds of work and leisure. Can it be turned to radical ends? Sven Lütticken seeks clues in Schiller and Debord, Neuschwanstein and computer games.
Attending to Abstract Things
From the philosophe De Brosses in the eighteenth century to the abstract expressionist Barnett Newman and the conceptualist Sol LeWitt in the twentieth—via Hegel, Creuzer and Marx—the fates of the fetish and the commodity, in critical thought and art.
Do increasingly dark ecological portents indicate a deeper transformation of nature itself? Sven Lütticken elaborates a historicized conception of nature, seeking precedents and contrasts in 19th- and 20th-century philosophies and fictions. Dinosaurs and overmen, Geist and entropic decline in Verne, Nietzsche, Schelling and Smithson.
Idolatry and its Discontents
Amid rhetorical dust-storms over purported Islamist threats to Western values, Sven Lütticken finds antecedents for contemporary struggles over the image in Judaic and Protestant bans on idolatry. Multiple meanings of the veil and varying forms of iconoclasm, under the aegis of the spectacle.
Suspense and . . . Surprise
Media projections of the ‘war on terror’ as manipulations of shock and time, purveyed through a perpetual present of 24-hour coverage and on-line news. Lessons from Hitchcock, Conrad and Benjamin on the poetics of suspense and possibilities for a rehistoricization of the attentat.