Robin Blackburn
WHITE GOLD, BLACK LABOUR
Sven Beckert has produced a fascinating and wide-ranging history of cotton, from its early appearance in household production in Asia thousands of years ago, via its modest debut in local exchanges, to its eventual role as a key ingredient in the Industrial Revolution and its continuing importance for today’s consumers, poor or rich. Importantly, this is an account of both stages of cotton’s production, in the fields as well as the factories, agriculture as well as manufacture. A German historian now based in the United States, Beckert is the author of The Monied Metropolis (2001), a study of the consolidation of New York’s bourgeoisie in the latter half of the nineteenth century. His new book, Empire of Cotton, is enriched by research into documents and archives from two dozen countries. This is by no means untrodden territory. Giorgio Riello in his—also prizewinning—Cotton: The Fabric that Made the Modern World (2013) has recently provided a fascinating account of how and why Asia’s manufacturers (for him, India’s in particular) were displaced by Europe’s. Both are works of much greater ambition than the general run of commodity histories—anecdotal narratives of cod, coal or tobacco, for instance. For its part, Empire of Cotton is closer in explanatory reach to Sidney Mintz’s path-breaking story of sugar, Sweetness and Power (1985), though through the lens of economic history, not cultural anthropology. Beckert aims to recast our understanding of ‘the making and remaking of global capitalism’, and with it the modern world.
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Stuart Hall, 1932–2014
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A tribute to Alexander Cockburn—director of CounterPunch, Marxian environmentalist, long-standing editor of New Left Review. Robin Blackburn traces his path from County Cork to Soho, Havana to Manhattan, the Florida Keys to California’s Lost Coast.
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Atlantic economies remain mired in unemployment and stagnation three years on from 2008. Diagnosing the underlying causes of the crisis as global over-capacity, deficient demand and anarchic credit creation, Robin Blackburn explores proposals for a genuine exit from it to the left.
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Robin Blackburn on Samuel Moyn, The Last Utopia: Human Rights in History. Demystifying the origins and ideological ascendancy of human-rights discourse.
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In answer, Blackburn explores the paradoxes of fictitious capital, underwritten by super-exploitation of China’s producers. A public-utility credit system, democratic forms of nationalization and mechanisms to socialize investment as steps towards financial dual power.
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Robin Blackburn on Louis Sala-Molins, Dark Side of the Light. Polemical assault on the French Enlightenment’s record on slavery—Condorcet’s contradictions, Diderot’s compromises, Montesquieu’s motivations.
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As reverberations from the stricken mortgage market reach the real economy, Robin Blackburn reveals the origins of the crunch in the shadowy realms of financialization. Precedents from the bubbles and crash of the 1920s, warnings from pioneers and venture capitalists, and proposals for how to turn the crisis to socially redistributive effect.