This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies. For more information, see our privacy statement

New Left Review 59, September-October 2009

terry eagleton


There is surely no doubt that Fredric Jameson is not only an eminent critic but a great one, fit to assume his place in a roll-call of illustrious names stretching from Edmund Wilson, Kenneth Burke, F. R. Leavis and Northrop Frye to I. A. Richards, William Empson and Paul de Man. Even this is to limit the judgement to Anglophone colleagues only, whereas the true field of comparison ranges much more widely. No literary scholar today can match Jameson’s versatility, encyclopaedic erudition, imaginative brio or prodigious intellectual energy. In an age when literary criticism, like so much else, has suffered something of a downturn, with forlornly few outstanding figures in the field, Jameson looms like a holdover from a grander cultural epoch altogether, a refugee from the era of Shklovsky and Auerbach, Jakobson and Barthes, who is nonetheless absolutely contemporary.

Subscribe for just £45 and get free access to the archive
Please login on the left to read more or buy the article for £3


Terry Eagleton, ‘Jameson and Form’, NLR 59: £3

If you want to create a new NLR account please register here

’My institution subscribes to NLR, why can't I access this article?’

New NLR website coming soon—click here for a preview.