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New Left Review I/2, March-April 1960


Norman Fruchter

The Savage Eye

The Savage Eye, the marquee announces. Winner of Roy Thomson award at Edinburgh Film Festival. Raw. Gripping. Nakedly honest. (Blurbs from London reviews). I go in, doubtful.

Planes, terminals. A big-city airport. Passengers and well-wishers. Motion, confusion. Awkward, unlovely, sweating people—not the carefully selected, typical-American-man-of-the crowd extra. They stumble down the disembarking ramp, stare, search, smile, run to embrace. The camera follows, its angles and shots dictated by the erratic movements of ordinary people. A close-up—one woman, young, not beautiful but attractive, poised, conscious, as evident among these people as the professional in any sphere.

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Norman Fruchter, ‘The Savage Eye’, NLR I/2: £3
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