WHO WILL BUILD THE ARK?
What follows is rather like the famous courtroom scene in Orson Welles’s The Lady from Shanghai (1947). In that noir allegory of proletarian virtue in the embrace of ruling-class decadence, Welles plays a leftwing sailor named Michael O’Hara who rolls in the hay with femme fatale Rita Hayworth, and then gets framed for murder. Her husband, Arthur Bannister, the most celebrated criminal lawyer in America, played by Everett Sloane, convinces O’Hara to appoint him as his defence, all the better to ensure his rival’s conviction and execution. At the turning point in the trial, decried by the prosecution as ‘yet another of the great Bannister’s famous tricks’, Bannister the attorney calls Bannister the aggrieved husband to the witness stand and interrogates himself in rapid schizoid volleys, to the mirth of the jury. In the spirit of Lady from Shanghai, this essay is organized as a debate with myself, a mental tournament between analytic despair and utopian possibility that is personally, and probably objectively, irresolvable.
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