How far can the path from Thatcher to Blair be written as a dynamic of Ukanian constitutional involution, or devolution? Francis Mulhern questions whether classes can be so quickly bundled off-stage. Is it possible to speak of nations—English, Scottish, Irish or any other—as political communities, without social or ideological dispositions?
BRITAIN AFTER NAIRN
Twenty-five years ago, Tom Nairn published The Break-up of Britain. There would be no need for the question-mark that some thought only prudent, he felt sure: that historical future was already upon us. Today, in a successor volume whose title likewise steals a march on the calendar, he does not even pause to say ‘I told you so’. The process of disintegration ‘is indeed under way, and there is now almost no one who believes otherwise’. After Britain, the first of a planned two-book set on the politics of the North Atlantic ‘archipelago’, aims to show that New Labour has unwittingly pitched the old state into terminal crisis, to specify what must now be done in Scotland, and to make a first estimate of the challenge now facing the most enigmatic of Westminster’s nationalities, the English.
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Francis Mulhern on Eric Hobsbawm, Fractured Times. Considerations on the fates of bourgeois high culture, avant-gardes and mass art, in the ‘age of extremes’ and beyond.
Culture and Society, Then and Now
The idea of culture in Raymond Williams’s classic work, and discrepant readings of it, fifty years on. Gestation amid CP debates on the English tradition, hidden affinities with the Frankfurt School, and counterposition to the verities of today’s liberal multiculturalism.
Conrad's Inconceivable History
The fascination of Joseph Conrad’s novels with the transformative pressures of capitalist modernity threatens a revelation so intolerable, Mulhern suggests, that it can only be contained within dense narrative strategies of deferral and disavowal.
What is Cultural Criticism?
Meanings of culture, the place of politics and role of intellectuals in the practice of criticism, as conceived since Arnold. Replying to Stefan Collini in NLR 18, Francis Mulhern asks how far the arts of a conversible portraiture bear on a critical agenda.
Replying to Stefan Collini in NLR 7, Francis Mulhern extends his critique of the pretensions of culture to general social authority, to the Marxist versions of Kulturkritik in the Frankfurt School. What defines the difference between politics and culture as practices?
Towards 2000, or News From You-Know-Where
'Teachers, Writers, Celebrities': Intelligentsias and Their Histories
Marxism in Literary Criticism
Introduction to Goldmann
Comment on 'Ideology and Literary Form'