Portrait of one of Latin America’s most original sociologists, and the zoography of his native habitat. The calm iconoclasm of Francisco de Oliveira’s thought under military dictators and workers’ president alike.
FRANCISCO DE OLIVEIRA
In a national culture of notable variety and depth, the sociologist Chico de Oliveira has been one of Brazil’s most original thinkers. A North-Easterner, he was born in 1933, in Recife, and educated there. At the age of 24 he joined
sudene, the regional state development agency, working as deputy to Celso Furtado, the country’s most famous economist. Both were driven into exile by the military dictatorship which came to power in the coup of 1964. Abroad, de Oliveira worked for the
un in Guatemala and Mexico, before returning to Brazil in 1970, where he found employment with the social-science foundation
cebrap in São Paulo. He later held chairs in sociology at both State and Catholic universities. In 1972 he published an iconoclastic reassessment of accepted theories of Brazilian economic development, under the title
Critique of Dualist Reason. In this he took his distance from Furtado’s legacy, as well as more generally the intellectual tradition of
cepal, the
un’s Economic Commission on Latin America, whose presiding spirit was Raúl Prebisch. Politically, de Oliveira had been a militant of Brazil’s small, but not uninfluential, Socialist Party before 1964. Under the gradual ‘opening’ of dictatorship in the late seventies, he helped to found the Workers’ Party (
pt), in which he remains active to this day. With democratization, his mordant analyses of the political scene and the forces manoeuvring across it attracted increasing attention. Roberto Schwarz has described his essays of this period as ‘always surprising’—‘trenchant, yet unsectarian’, disconcerting both those who felt that sharp formulations were incompatible with social negotiation, and those for whom any level-headed analysis of opposing interests was an invitation to lukewarm compromise. Pointing out how accurate his prognoses of the ill-fated stabilization plan of the Sarney government (1985–90) and of the leprous Collor Presidency (1990–92) proved to be, Schwarz remarks that this kind of far-sightedness has come from an intellectual independence, and distaste for the vulgar and authoritarian strands of Brazilian tradition, that is all the more notable in ‘a gregarious culture like ours’. Today, de Oliveira has displayed the same courage, with an acerbic depiction of the aberrant social reality of his country, of which—he argues—his own party now forms an integral part. The essay in question, ‘The Duckbilled Platypus’, has caused a fierce controversy in Brazil. We publish it below, with the preface by Roberto Schwarz that has accompanied it.
ROBERTO SCHWARZ
PREFACE WITH QUESTIONS
Venceu o sistema de Babilônia
e o garção de costeleta
Oswald de Andrade, 1946
The epigraph condenses, in caustic mode, the historic disappointment of a libertarian modernist at the postwar outcome. The defeat of Nazism in Europe and the end of the Vargas dictatorship in Brazil had been moments of unusual hope, but they had not opened the door to higher forms of society. So far as we were concerned, victory went to the Babylonian system—that is, capitalism; and to the maître dee—that is, kitsch aesthetics. The social and artistic ferment of the 1920s and 30s had ended in this.
’My institution subscribes to NLR, why can't I access this article?’
Also available in:
By the same author:
-
Political Iridescence
Brazil’s foremost literary critic engages with the autobiography of Caetano Veloso, its best-known musician. The dense weave of relations between 60s counter-culture and left movements, and its rending by years of dictatorship and capitalist triumph.
-
Brecht's Relevance: Highs and Lows
In what ways does Brecht’s drama—and the world-transforming impulse behind his strategies of defamiliarization—speak to times and places other than his own? Ups and downs of his resonance in Brazil and beyond, shadowing the movements of history’s leading edge.
-
Competing Readings
Roberto Schwarz discusses the cultural-political import of rival interpretations of Machado de Assis, within the critical space of world literature. Local versus international, specific versus universal, entangled within the ironies and dizzying narrative disjunctures of a Brazilian master.
-
A Brazilian Breakthrough
What made the greatest Brazilian novel of the nineteenth century, Machado de Assis’s Posthumous Memoirs of Brás Cubas, a masterpiece of world literature? The strange fate of realism in an ex-colonial society, in which liberalism was a ruling ideology, modernity a universal ideal, and slavery still an everyday fact of life.
-
In the Land of Elefante
Brazil’s most original poet in the prism of its foremost critic. How Francisco Alvim’s lyricism unlocks the social through the colloquial, in tiny openings onto a vast space of national ambiguities and complicities.
-
City of God
Brazil’s leading literary theorist discusses the novel whose formal innovations trace the emergence of the ganglands of the neo-favela in Rio de Janeiro today—a world away from the now etiolated recipes of magical realism.
-
Brazilian Culture: Nationalism by Elimination