T. J. Clark’s landmark study, Farewell to an Idea, takes the art of modernism to be a convulsive attempt to imagine modernity in forms other than the triumph of capitalism. Malcolm Bull suggests it might be better conceived as a fold in the overlap between two contrasting cultures of capitalism, classical and commodity, of which only one is left today.
BETWEEN THE CULTURES OF CAPITAL
Modernism in its various forms has generated a body of critical and historical writing that is without equal. Within this field, the work of T. J. Clark—on Courbet, on Manet, and now in a sequence of essays on painters from David to Pollock—is as exciting as it gets, indeed, as exciting as art history has any reason to be. What makes his achievement unique is not his sensitivity to the nuances of the primary sources, or his almost physical engagement with the surfaces of paintings, but the conjunction of these qualities with a revolutionary’s instinct for the limitless potential of particular historical moments. And if he sometimes writes (as he says Pissarro paints) ‘on a knife-edge, between simplicity and portentiousness, or strong expression and souped-up emotion’, so much the better. No one else would dare.
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Beyond existing arguments about equality, might the praxes of permanent and passive revolution offer a way to conceptualize a more expansionary levelling? Drawing on motifs from Nietzsche, Babeuf, Marx and Gramsci, Malcolm Bull traces the contours and consequences of extra-egalitarianism.
Green Cabinet, White Cube
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Introduction to Special Issue on Globalization and Biopolitics
Vectors of the Biopolitical
Taking coordinates from Aristotle, Malcolm Bull finds in Agamben’s biopolitics and Nussbaum’s capabilities approach the disconnected fragments of a lost vision of society, adumbrated by Marx, glimpsed and rejected by Arendt. Strange meetings as the trajectories of the disenfranchised and the empowered, human and non-human, converge.
States of Failure
The question of agency remains the central lacuna in the construction of systemic alternatives. Building on ‘The Limits of Multitude’ in NLR 35, Malcolm Bull proposes a reconceptualization of the relation between collective will and invisible hand. Can bearings drawn from Hegel, Gramsci, Sartre indicate the route to a new global order through dissolution of the Western imperial state?
The Limits of Multitude
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Where is the Anti-Nietzsche?
If uncritically lyrical receptions of Nietzsche are receding, who has truly resisted his ultimate seduction—‘reading for victory’? Mere rejection of Nietzsche’s ideals does not escape his lure, Malcolm Bull argues. Only the standpoint of the subhuman is proof against his ecology of value.
Slavery and the Multiple Self
The Ecstasy of Philistinism
Vision and Totality