Self-Realization, Ethics, and Socialism
The cover of Sean Sayers’s new study displays a black-and-white photograph of Karl Marx, the bushy dark patch of his mouth in arresting contrast with the encircling white halo of beard and hair. The book proposes an argument as bold, graphic and firmly delineated as its cover, though with something of the same lack of tint and nuance.
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Jameson and Form
Identifying Fredric Jameson’s literary style as one of his signal achievements, Eagleton asks whether his formal emphases also serve to stave off questions of content: morality, sexuality, subjectivity.
Samuel Beckett’s work for the French Resistance set against his dogged refusal of all ideology. The traces of Ireland’s history—hunger, deferment, deflation, indeterminacy—in his exile art.
Capitalism and Form
If bourgeois society requires both ceaseless economic dynamism and permanent ethical stability—disorder of invention and desire, order of labour and justification—what figures of the imagination offer a synthesis of these contradictory demands? The intertwining of routines and romances, virtues and villainies, in Scott and Goethe, Dickens and Balzac, Zola and Mann.
Subjects and Truths
Terry Eagleton on Alain Badiou, Ethics. A French conundrum: can radical universality be philosophically crossed with romantic epiphany?
Terry Eagleton on Russell Jacoby, The End of Utopia. What surer sign of accommodation to the status quo than pompous funerals of the utopian imagination? Masks and corollaries of political resignation.
The Crisis of Contemporary Culture
Ireland's Obdurate Nationalisms
Nationalism and the Case of Ireland
Doxa and Common Life
Saint Oscar: A Foreword