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André Gorz’s work has been described as ‘pop sociology’, ‘journalistic impressionism’, and ‘sociological punditry’. He has been accused of both ‘bourgeois individualism’ and ‘backward-looking romanticism’. Depending on the critic, Gorz is an erstwhile ‘quasi-Stalinist’ or a reformed ‘anti-Stalinist’, an advocate of ‘postmodern politics’ or simply an ‘intellectual charlatan’.
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